Confronting Sculpture
by Laura Mattioli. Sculpture has always been the primary subject of my personal, eclectic collection. Most of the pieces that I own are from contemporary artists who have become close friends: Barry X Ball, Flavio Favelli, Jene Highstein, Wolfgang Laib and Richard Nonas. Before moving to New York City, I donated most of this collection … Continue reading Nothing is simple.
Discussion Participants: Garth Evans, Jock Ireland, Brandt Junceau The Locked Room, Four Years that Shook Art Education, is a book recently published by MIT Press which documents a controversial teaching program that became known at the "A" Course. The course was designed by four of the tutors, Peter Atkins, Gareth Jones, Peter Harvey and myself. It took place in the … Continue reading The Locked Room 1969-73: Four years that shook art education
by Brandt Junceau. Elie Nadelman left hundreds of small plasters at his death in 1946. I’ve been staring at, thinking about and occasionally writing about “the Dolls” for years. I sometimes think of them all as a single thing, but recently, as my notions of legacy and authorship have changed, I no longer think they … Continue reading While I See Her Face
by Choghakate Kazarian. “Poetry, music, architecture, like ancient languages, have been translated into new idioms, by clinging to life. Only sculpture has remained immobile across the centuries, a courtly language, the language of the liturgy, a symbolic writing, incapable of making its mark on daily acts” and “sculpture has remained what it is, a dead … Continue reading Sculpture, Language of the Dead
https://youtu.be/9bPlMQQx-Tk Sculpture Forum 10: Lee Tribe's "East 2": A Studio Visit, May 22, 2020. With a mask on and keeping some distance, we get a look at one sculpture in Lee Tribe's new "East" series and hear about some of his influences and methods. Video by Maud Bryt. (To make a comment on this post, … Continue reading Lee Tribe’s “East 2”: A studio visit
By Karen Wilkin. In 2010, in Anthony Caro’s London studio, I fell in love with a massive table sculpture, a chunky, four-square cast iron and steel construction, with a recessed rectangular center and an emphatic horizontal bar, that cascaded over the edge of its support in shallow steps. At once architectural, confrontational, and like nothing … Continue reading Case Study
Participants: Garth Evans, Jock Ireland, Brandt Junceau Jock Ireland: I suggested we read Tim Scott’s Abcrit essay on abstract sculpture: https://abcrit.org/2020/02/07/121-tim-scott-writes-on-abstract-sculpture/. I must say the discussion that resulted was NOT what I expected—but it’s a good start. There are many British sculptors on both sides of the Atlantic whose work rewards attention. Readers/listeners might want to … Continue reading Abstract Sculpture
https://youtu.be/Qei8Dxu5Am4 Sculpture Forum 9: Soldiers and Sailors Memorial Arch at Grand Army Plaza, Brooklyn, NY, May 1, 2020 Sculptor Brandt Junceau talks about the arch, based on his memory of it and new video footage of the memorial. (Video by Maud Bryt) (To make a comment on this post, please go to "Leave a Reply" … Continue reading Eakins and O’Donovan at Grand Army Plaza, Brooklyn, NY
https://youtu.be/tZL4vYR4oL0 photo by Garth Evans before MoMA closed Sculpture Forum 8: "Judd" Donald Judd at Museum of Modern Art New York opens April 23 2020 online. Participants: Garth Evans, Brandt Junceau, Jock Ireland, Karen Wilkin (video by Maud Bryt from internet recorded video/audio and photos from MoMA, Chinati Foundation and Judd Foundation). During this stay-home … Continue reading Donald Judd at Museum of Modern Art, New York
By Garth Evans. This is the first sculpture I ever made. It is a carving. This sculpture contains the seeds of much that I have done in the sixty-four years since I made it, although I never made another carving. It is about twelve inches in hight, the wood is oak. I made it at … Continue reading The first.
Sculpture Forum 