Clay Figure Critique at New York Studio School with Garth Evans and Bruce Gagnier

The human figure is an essential touchstone of sculpture, remade generation by generation as it must be today, by contemporary artists.  Over three decades working together at the New York Studio School, Garth Evans and Bruce Gagnier conducted life-size figure critiques that are now legendary. Those had been undocumented, but the recent Figure Marathon, taught by Brandt Junceau, provided … Continue reading Clay Figure Critique at New York Studio School with Garth Evans and Bruce Gagnier

Two Shows & an Installation: Carol Bove, New York

Recorded June 2021. Led by Sculptor Garth Evens, and joined for the talk by Jock Ireland, Brandt Junceau, and Rachael Bohlander. Sculpture Forum visits the work of Carol Bove, with shows at David Zwirner's uptown and downtown galleries, and her installation outdoors at The Met. Video and editing by Rachael Bohlander. https://youtu.be/17ECoXwNkQY "The feeling comes … Continue reading Two Shows & an Installation: Carol Bove, New York

Natural Sculptures: Ten Thousand Shalagrama-shilas

by Choghakate Kazarian I had heard about the Ordre Monastique Vaisnava for some time. The members of the congregation, whose temple of Vraja Bhavan is in the suburb of Rouen (near Paris), are followers of Gaudiya Vaishnavism, a branch of Hinduism initiated by Chaitanya Mahaprabhu (1486–1534) in Bengal. Their practice is focused on devotional worship, … Continue reading Natural Sculptures: Ten Thousand Shalagrama-shilas

The Locked Room 1969-73: Four years that shook art education

Discussion Participants: Garth Evans, Jock Ireland, Brandt Junceau The Locked Room, Four Years that Shook Art Education, is a book recently published by MIT Press which documents a controversial teaching program that became known at the "A" Course. The course was designed by four of the tutors, Peter Atkins, Gareth Jones, Peter Harvey and myself. It took place in the … Continue reading The Locked Room 1969-73: Four years that shook art education

Sculpture, Language of the Dead

by Choghakate Kazarian. “Poetry, music, architecture, like ancient languages, have been translated into new idioms, by clinging to life. Only sculpture has remained immobile across the centuries, a courtly language, the language of the liturgy, a symbolic writing, incapable of making its mark on daily acts” and “sculpture has remained what it is, a dead … Continue reading Sculpture, Language of the Dead